
Depuis les origines de la civilisation, Apocalypse, le tout premier mutant, a absorbe de nombreux pouvoirs, devenant a la fois immortel et invincible, adore comme un dieu. Se reveillant apres un sommeil de plusieurs milliers d'annees et desillusionne par le monde qu'il decouvre, il reunit de puissants mutants dont Magneto pour nettoyer l'humanite et regner sur un nouvel ordre. Raven et Professeur X vont joindre leurs forces pour affronter leur plus dangereux ennemi et sauver l'humanite d'une destruction totale.
About X-men: Apocalypse
Artist : James McAvoy, Michael Fassbender, Jennifer LawrenceAs : Professor X, Magneto, Mystique, Apocalypse
Title : Unlimited Speed ☮ Watch X-men: Apocalypse Gratis ☮
Release date : 0000-00-00
Movie Code : 225717
Duration : 120
Category : Action, Science fiction
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Comic fans will be mystified. Movie fans will be confused. Everyone will leave disappointed.

The film is fun in its own right with its grand scope and great special effects, and it doesn't require a viewer's knowledge of its predecessors to be enjoyed, even if those who already know the characters get an even bigger payoff.

Enough already. Singer throws so much mutant at us that nothing sticks. I was almost rooting for Trump to impose a quota.

Despite the undeniable presence of a huge amount of action, X-Men: Apocalypse is decidedly a case of more is less.

Enormous goings on keep going on, and on, in "X-Men: Apocalypse," a collection of explosions, eruptions and conflagrations that suggests the implosion of a franchise.

"X-Men: Apocalypse" moves along tidily, but you watch thinking that all this used to be a lot more fun.

What makes X-Men: Apocalypse so exciting isn't really any one thing but rather its cohesion, its storytelling verve.

Don't bother unless you have a deep emotional investment in the history of Professor X's hair loss and Jean Grey's skills set.

The property is running on bald tires, and, for all its ear-splitting racket and lavish effects, "Apocalypse" is the barest of retreads.

Unlike some of the cheesier remnants of the '80s, we'll probably want to see more of these new X-Men.

There's no spark, and everyone lumbers through the motions. The apocalypse, it turns out, is deadly dull.

Singer's fourth X-Men film is not just a step down, it's a fall down the stairs.

This is turning into the season of superheroes battling other superheroes, but "X-Men: Apocalypse" is the first one, so far, to do it right.

It's basically a closing chapter to a feeble trilogy that started out pretty well and then ran out of gas, and now must serve as a prequel to shadowy X-related endeavors yet to come.

Those who have seen the previous "X-Men" movies will likely feel motivated to keep their run complete, and over 2 hours and 23 minutes, they mostly get their money's worth.

It feels flat, disjointed, with too many moving parts.

"X-Men: Apocalypse" isn't a catastrophe, but you may find it lacking.

Even the hardcore geeks who like to get their Comic-Con on might be feeling a little superhero fatigue right about now. Still. You owe it to yourself to see Quicksilver do his thing.

It's the end of the world as we know it - because we've seen it in a dozen other superhero movies by now.

If all this sounds wildly entertaining, it's not.

Marks a shocking letdown from Singer's earlier contributions; what once soared now slogs.

No surprises here, just a seen-it-before world domination plot carried out by a petulant Pharaoh with a head like a chewed pencil.

I found myself loving this strange, straight-faced operetta that embraces everything from Gregorian chanting to East German punk to Flock of Seagulls

Why is Bryan Singer even making this? Does he remember?

Some of the franchise stalwarts, such as Jennifer Lawrence's Mystique, are given too little to do. Most are given too much.

Don't believe the negative hype. Though sluggish and overlong, the ninth film in the franchise has some entertaining moments.

The latest in the X-Men movie franchise is just X-meh.

Like Oscar Isaac in that first scene, Apocalypse loses its humanity early on, and never figures out what to replace it with.

It's not the first deflating X-Men picture, but it's the first from director Bryan Singer, who now has four of these under his belt, including the original.

It may be too much to ask for cinematic lightning to strike three times, as X-Men: Apocalypse, which has some exhilarating scenes, ultimately turns into the kind of lumbering, special-effects-laden spectacle that the previous films mostly avoided.

Apocalypse may be noisy, but one thing is clear: It's a setup. And that's worth watching.

As a superhero movie in general and an X-Men movie in particular, Apocalypse delivers everything a viewer could reasonably expect from it.

At times, "Apocalypse" can be great fun, even if it doesn't know when to hand its car keys to a friend and ask to be taken home.

The movie seems dull and bloated.

I've seen worse this year. And better.

For every lively moment, there's a reminder that the franchise is tiring. The genre's emphasis on potential mass death is obsessive and unimaginative.

Apocalypse isn't quite a dog. But it is a movie with way too much of everything except the things that should matter the most - novelty, creativity, and fun.

Apocalypse is an effort to catch up to that grander mode of comic-book storytelling, but its epic scope is a mile wide and an inch deep.

Mostly . it's the same old story: Bad mutants versus good mutants, with the fate of us humans - mostly off-screen, disturbingly expendable - hanging in the balance.

Disappointingly [succumbs] to an exhausting case of been-there-done-that-itis.

Piece by piece, Singer fits this ninth film in the franchise (which includes Deadpool) into the X-Men universe like a master puzzle maker. He does it so well, at least in terms of storytelling, that the X-Men franchise still has a vigorous future.

I liked it a lot.

Without a compelling villain, it's hard to resist feeling like it's just more of the (mutated) same.

Much of what makes X-Men: Apocalypse legitimately interesting also makes it frustrating and lopsided.
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