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Senin, 20 Juni 2016

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Three-time Academy Award (R) winner Meryl Streep goes electric and takes on a whole new gig - a hard-rocking singer/guitarist - for Oscar (R)-winning director Jonathan Demme and Academy Award (R)-winning screenwriter Diablo Cody in the uplifting comedy Ricki and the Flash. In a film loaded with music and live performance, Streep stars as Ricki, a guitar heroine who gave up everything for her dream of rock-and-roll stardom, but is now returning home to make things right with her family. Streep stars opposite her real-life daughter Mamie Gummer, who plays her fictional daughter; Rick Springfield, who takes on the role of a Flash member in love with Ricki; and Kevin Kline, who portrays Ricki's long-suffering ex-husband. (C) Tristar

About Ricki And The Flash

Artist : Meryl Streep, Rick Springfield, Rick Rosas, Joe Vitale, Bernie Worrell, Ben Platt, Peter C Demme, Jim Roche, Alexa Klienbard, Keala Settle, Joe Toutebon, Big Jim Wheeler, Brooklyn Demme, Eamon O'Rourke, Aaron Clifton Moten
As : Ricki, Greg, Buster, Joe, Billy, Daniel, Walt, Sharon, Whitey, Elvis Guy, Salt Well Drinker, Salt Well Dancer, Troy
Title : Love Film Regarder Ricki And The Flash Free High Quality
Release date : 2015-08-07
Movie Code : 3623726
Duration : 102
Category : Comedy, Drama, Music

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Comment For Ricki And The Flash Ver Gratis

Name : Colin Covert / Alias : Minneapolis Star Tribune
Creating a film with solid drama beside good humor is tough. It's harder still to balance them against a complicated character so they don't sprawl lopsided, and to send the audience home feeling satisfied.

Name : Leah Greenblatt / Alias : Entertainment Weekly
Ricki raises smart questions about why a mother's musical ambitions are so much more selfish than, say, seven-time dad Mick Jagger's, and even the shamelessly corny sing-along finale wrings a few real tears out.

Name : James Berardinelli / Alias : ReelViews
The movie is mature in the way it handles the regrets of absentee parents and the ways in which their children relate to them. There's a little Hollywood artifice here but not so much that the emotions feel inauthentic.

Name : Ignatiy Vishnevetsky / Alias : AV Club
As in Demme's best early work (Handle With Care, Melvin & Howard), there is both an affection for a uniquely American type of oddball and a clear-eyed sense of their foibles.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Quite a few filmgoers lament the shortage of movies for adults. "Ricki and the Flash" goes against that trend with rock 'n' roll attitude.

Name : Steven Rea / Alias : Philadelphia Inquirer
Demme has already made a messed-up family matrimonial get-together way better than this, with a way better screenplay than the one Juno writer Cody has tossed off.

Name : Stephen Whitty / Alias : Newark Star-Ledger
While there are some bright notes in Cody's writing, the situations feel a little tired, and the characters unexplored.

Name : Ty Burr / Alias : Boston Globe
"Ricki and the Flash" feels like "Stella Dallas" as remade by Jean Renoir - it's a humanist suburban fable.

Name : Preston Jones / Alias : Fort Worth Star-Telegram/DFW.com
The film roars to life too intermittently.but, sadly, too much of Ricki and the Flash is just the same old song.

Name : Joe Neumaier / Alias : New York Daily News
The story here, like a lot of bar bands, goes loud to cover up mediocrity. When Streep sings, though, so does the film.

Name : Peter Howell / Alias : Toronto Star
Worth watching, and rocking to.

Name : Sara Stewart / Alias : New York Post
The movie itself seems equally divided between the sensibilities of hyperverbal writer Diablo Cody and music-centric director Jonathan Demme, and ends up falling into a muddy gap between the two.

Name : Sheri Linden / Alias : Hollywood Reporter
Even with its well-observed moments, the movie's nonmusical interactions, whether reaching for laughs or poignancy, too often feel flat and forced.

Name : Peter Rainer / Alias : Christian Science Monitor
Despite Streep's best efforts, Ricki seems more of a contrivance than a flesh-and-blood character.

Name : Patrick Dunn / Alias : Detroit News
Streep may have just been looking for some variety and an Oscar. But why is Demme, the great director of "The Silence of the Lambs," wasting his time on this?

Name : Scott Tobias / Alias : NPR
A warmth radiates through Ricki and the Flash like a song sung true. A film that adores its characters this much is sure to be adored in kind.

Name : Dana Stevens / Alias : Slate
The screenplay doesn't lack for memorable zingers, and thanks to Cody's script and Streep's performance, Ricki emerges as a complex, self-contradictory person (even if most of the supporting characters don't).

Name : Ann Hornaday / Alias : Washington Post
It's a crowd-pleaser every bit as calculated and earnestly defanged as a Golden Oldies bus-and-truck tour. It's fun while it lasts, even if the Bic lighters stay safely pocketed at the end of the show.

Name : Rafer Guzman / Alias : Newsday
Streep and Springfield make a surprisingly sweet pair of retirement-age rockers, but the scattered story line keeps losing the beat.

Name : Kenneth Turan / Alias : Los Angeles Times
Diablo Cody's dispiriting screenplay is all about everyone coming to love Ricki, faults and all, and that is just not convincingly done.

Name : Andrew Barker / Alias : Variety
This is a shaggy, easily distractible film that consistently defies expectations to both charming and baffling effect.

Name : Lindsey Bahr / Alias : Associated Press
Ultimately, spending time with these people is pleasant, lived-in, honest and even thought-provoking. And when the dialogue stops, there's a fun, golden not-too-oldies live music soundtrack to hum along with too.

Name : Susanna Schrobsdorff / Alias : TIME Magazine
Streep's latest mom role, as Ricki Rendazzo in Ricki and the Flash, has a light, Mamma Mia! vibe, but it still hits all those hot buttons.

Name : Peter Travers / Alias : Rolling Stone
Director Jonathan Demme, with music in his DNA, offers a heartfelt salute to those who play the underside of rock & roll because, well, they have to. Too bad the rest of the movie is dime-a-dozen family soap opera.

Name : Spencer Kornhaber / Alias : The Atlantic
Just when the story beats start to feel unbearably obvious, the film changes keys, becoming less family dramedy than a concert film.

Name : Mick LaSalle / Alias : San Francisco Chronicle
If only Streep would have put down the microphone and let Springfield sing "Jessie's Girl," "Ricki and the Flash" might have had half a chance.

Name : A.O. Scott / Alias : New York Times
"Ricki and the Flash" seems like a squandered opportunity for this humane, curious and liberal-minded filmmaker to reflect on some uncomfortable realities. This isn't really rock 'n' roll. It's easy listening.

Name : Alonso Duralde / Alias : TheWrap
An assemblage of almost-characters in an almost-story, resulting in a very disappointing almost-movie.

Name : Joshua Rothkopf / Alias : Time Out
Streep finds her way to the soul of several songs. There's devastating connection and tears in these moments: delicate gratitude in "Drift Away," nothing short of maternal redemption in a roaring version of Springsteen's "My Love Will Not Let You Down."

Name : Tina Hassannia / Alias : Globe and Mail
Regardless of its flimsy emotional interior, Ricki is a worthy addition in this year's growing canon of strong female-centred films, and it would be wise to remember Streep's stunning performance come awards season.

Name : Moira MacDonald / Alias : Seattle Times
Streep's performance, like lightning, jolts everything.

Name : Bill Goodykoontz / Alias : Arizona Republic
What might have been must be better than what's here, because what's here isn't much.

Name : Michael Phillips / Alias : Chicago Tribune
All good protagonists are contradictory tangles of experience and disappointment, but Cody is so tentative in her approach, nothing gathers steam or sticks in emotional terms.

Name : J. R. Jones / Alias : Chicago Reader
The result is cold porridge.

Name : David Edelstein / Alias : New York Magazine/Vulture
Ricki and the Flash swerves near stereotypes and swerves away at every turn.

Name : Amy Nicholson / Alias : L.A. Weekly
If only Demme had shot a scene of Ricki stubbing out a joint on a "Cathy" comic strip.

Name : Joe Morgenstern / Alias : Wall Street Journal
There are fleeting moments of real fun. Still, it's hard not to wonder why so much in the movie went so wrong.

Name : Richard Roeper / Alias : Chicago Sun-Times
The skilled veteran Demme alternates dysfunctional family confrontations with easy comedy, expertly peppering in just the right rock tunes along the way. It's hard not to like Ricki, but the film makes no excuses for her actions.

Name : Wesley Morris / Alias : Grantland
The film, which Diablo Cody wrote and Jonathan Demme directed, is a work of bulk-size bogusness. Barely a single scene is convincing.

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Jumat, 15 November 2013

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A group of college students venture into the Black Hills Forest in Maryland to uncover the mysteries surrounding the disappearance of James' sister who many believe is connected to the legend of the Blair Witch. At first the group is hopeful, especially when a pair of locals offer to act as guides through the dark and winding woods, but as the endless night wears on, the group is visited by a menacing presence. Slowly, they begin to realize the legend is all too real and more sinister than they could have imagined.

About Blair Witch

Artist : Callie Hernandez, James Allen McCune, Brandon Scott, Wes Robinson, Corbin Reid
As : Callie Hernandez, James Allen McCune, Brandon Scott, Wes Robinson, Corbin Reid
Title : Blair Witch Cine Gratis Online
Release date : 2016-09-16
Movie Code : 0185937
Duration : 89
Category : Horror

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Comment For Blair Witch Ver Cine Online

Name : Jeff Giles / Alias : Newsweek
Heather's shaky video work can induce motion sickness - it looks like combat footage as she bolts through the woods - but just try turning away.

Name : Kevin P. Sullivan / Alias : Entertainment Weekly
Blair Witch manages to strike a balance between pleasing the fans of the 1999 found-footage film and working as a Friday night at the multiplex, mainly by sticking to the principle that what you don't see will always be scarier.

Name : Bill Zwecker / Alias : Chicago Sun-Times
All in all, Blair Witch was quite satisfying and made me think: This is what the first sequel to the original film should have accomplished.

Name : Rene Rodriguez / Alias : Miami Herald
At least a third of "Blair Witch" consists of people running through the woods with flashlights, shouting out each other's names. A little of this goes a long way.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
As a manifestation of multimedia synergy, it's pretty spooky.

Name : Susan Wloszczyna / Alias : USA Today
Blair Witch oozes spellbinding primal fear!

Name : Edward Guthmann / Alias : San Francisco Chronicle
There's no denying the terror in The Blair Witch Project. It's fierce, it's palpable and it gets deep under the skin.

Name : Jami Bernard / Alias : New York Daily News
The very crudeness of the film stock and technique contribute mightily to the feeling that things are out of control, disoriented and possibly subject to unnatural laws.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Rather than exploring new ground, it sends us down familiar terrain, provoking shrieks for the mercy of a quick ending.

Name : Jonathan Foreman / Alias : New York Post
The creepiest and most original horror film since John Carpenter's classic Halloween.

Name : Will Leitch / Alias : The New Republic
Blair Witch nods to the first film but never rediscovers its power.

Name : Kevin Maynard / Alias : Mr. Showbiz
It might be the scariest movie ever made!

Name : Roger Ebert / Alias : Chicago Sun-Times
At a time when digital techniques can show us almost anything, The Blair Witch Project is a reminder that what really scares us is the stuff we can't see. The noise in the dark is almost always scarier than what makes the noise in the dark.

Name : Christopher Orr / Alias : The Atlantic
Blair Witch follows the original's beats so precisely that at times it seems the film is more eager to elicit memories of its predecessor than to stand on its own at all.

Name : Ben Travers / Alias : indieWIRE
Compared to the ill-fated "Book of Shadows: Blair Witch 2 - the first follow-up which was rushed to market for financial reasons - this new iteration still comes across as downright inspiring.

Name : Edward Douglas / Alias : New York Daily News
With nothing new to add to the "Blair Witch" mythos, this is one found footage movie that should have been left lost in the woods.

Name : Todd McCarthy / Alias : Variety
Pic comes across as smart without feeling manipulative.

Name : Joe Morgenstern / Alias : Wall Street Journal
The scariest shots, from someone's little Hi-8 camcorder, document the students losing their bearings, giving way to panic and finally falling victim, though off screen, to some ineffably, unphotographably evil presence.

Name : Bruce Westbrook / Alias : Houston Chronicle
If you can handle its unconventional approach, you won't feel as if you're seeing a film so much as witnessing a living nightmare.

Name : Peter Brunette / Alias : Film.com
The film is a faux documentary, made by two first-time filmmakers.

Name : Adam Graham / Alias : Detroit News
Wingard was in high school when "The Blair Witch Project" came out, so he's checking something off his personal list here. Everyone else moved on from "Blair Witch," with good reason, a long time ago.

Name : Michael Gingold / Alias : Time Out
Emerges as satisfying in its own right and pretty damn scary.

Name : Desmond Ryan / Alias : Philadelphia Inquirer
You can dismiss The Blair Witch Project as a trick. Or you can give in to the treat and savor that rarest of accomplishments in a field notorious for tedium and repetition - an original horror movie.

Name : Mary Elizabeth Williams / Alias : Salon.com
It's been a long time since a movie did so much by showing so little.

Name : Ernest Hardy / Alias : Film.com
The great power of the film lies in its simplicity, in the slow-building tension and psychological melt-downs.

Name : Michael Nordine / Alias : Village Voice
Blair Witch's comparatively maximalist approach shows too much and scares too little.

Name : Ty Burr / Alias : Boston Globe
"Blair Witch" comes to the party very late and very tired, and it doesn't improve from there.

Name : Tom Charity / Alias : Time Out
The actors never put a foot wrong; the video diary form allows no artifice, so that as terror mounts, the dread is infectious.

Name : Desson Thomson / Alias : Washington Post
Simple but devastatingly effective.

Name : Paul Tatara / Alias : CNN.com
Whenever night falls, the movie takes off, but in a slow creep, with all your childhood fears of the dark suddenly revealing themselves as absolutely reasonable.

Name : Lloyd Rose / Alias : Washington Post
The Blair Witch Project" is the scariest movie I've ever seen. Not the goriest, the grossest, the weirdest, the eeriest, the sickest, the creepiest or the slimiest. Just flat out the scariest.

Name : Stephen Whitty / Alias : Newark Star-Ledger
There's a sharp division between the chill of "I think I just saw something!" and the confusion of "I don't know what the hell I just saw!" and "Blair Witch" often falls on the wrong side.

Name : Mark Kennedy / Alias : Associated Press
This sequel gets progressively messy while The Blair Witch Project grew progressively taut.

Name : James Berardinelli / Alias : ReelViews
Sanchez and Myrick deserve credit not only for attempting something different, but for succeeding so brilliantly at it!

Name : Bill Goodykoontz / Alias : Arizona Republic
Without real innovation or story evolution, "Blair Witch" becomes a trip down a rabbit hole of misery and suffering. Life's too short - especially in these woods.

Name : Steve Tilley / Alias : Toronto Sun
While Blair Witch does have a few moments of tension and dread, it simply doesn't recapture the once-in-a-lifetime terror that made the original film so unforgettable.

Name : Jonathan Rosenbaum / Alias : Chicago Reader
What gives the film much of its force and its mounting sense of queasy uncertainty is its narrative method, which ensures that we know no more about the proceedings than the characters do.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Blair Witch is the most dangerous film in captivity. It's a no-excuses horror show with an emotional wallop like falling headlong into a bear trap.

Name : Barry Hertz / Alias : Globe and Mail
A thrill ride that's as terrifying as it is no-nonsense.

Name : Kyle Smith / Alias : New York Post
Running and screaming may be essential to a lot of horror movies, but as "Blair Witch" shows, they're not scary in themselves. For that, you need the stuff between the running and screaming.

Name : A.A. Dowd / Alias : AV Club
It administers its jolts with impeccable timing and may well satisfy those who felt swindled by the hype surrounding the much-more-suggestive original.

Name : David Edelstein / Alias : Slate
I could tell you the story - give away every detail - and The Blair Witch Project would still freeze your blood.

Name : Soren Anderson / Alias : Seattle Times
At a relatively compact 89 minutes, the picture still feels about 20 minutes too long thanks to all the repetition of familiar elements.

Name : Christy Lemire / Alias : Associated Press
The thought that Blair Witch Project just might be real makes it much scarier than any of the teen horror flicks that have stumbled along in recent years.

Name : Mark Jenkins / Alias : Washington Post
"Blair Witch" runs only eight minutes past the original, yet it feels about a half-hour longer.

Name : Peter Travers / Alias : Rolling Stone
I have seen the new face of movie horror and its name is The Blair Witch Project, a groundbreaker in fright that reinvents scary for the new millennium.

Name : Chris Vognar / Alias : Dallas Morning News
The Blair Witch Project should be remembered for its uncanny and sometimes deceptive knack for selling itself.

Name : Alonso Duralde / Alias : TheWrap
Barrett and Wingard guide us on a slightly different path, but it's clear early on that the destination will be all too familiar.

Name : Guy Lodge / Alias : Variety
A significantly more accomplished and entertaining sequel than 2000's woeful cash-in Book of Shadows: Blair Witch 2, [this] nonetheless reps something of a missed opportunity.

Name : Brian Tallerico / Alias : RogerEbert.com
The set-up is the same, and while that felt fresh in the first film, it now just kind of drains the piece of tension because we know no one is making it out alive.

Name : Janet Maslin / Alias : New York Times
A most inventive departure from standard horror fare.

Name : Peter Rainer / Alias : New York Magazine/Vulture
You don't need buckets of moolah and a zillion computer-generated effects to get a rise out of an audience. Just a little imagination, a little suggestive terror, will do quite nicely.

Name : Kevin Thomas / Alias : Los Angeles Times
In short, the film is a clever, entertaining stunt, no more, no less, and a terrific calling card for its fledgling filmmakers, Daniel Myrick and Eduardo Sanchez.

Name : Stephanie Zacharek / Alias : TIME Magazine
Was I supposed to be scared by this thing?

Name : Peter Hartlaub / Alias : San Francisco Chronicle
Even if there were no witches in the world, these idiots would probably get taken out crossing a busy street.

Name : J. Hoberman / Alias : Village Voice
Although the payoff is ambiguous, the experience remains in the mind. It's an absolutely restrained and truly frightening movie.

Name : Jeffrey Bloomer / Alias : Slate
Barrett and Wingard slavishly reprise the beats of the original movie and suffer gravely by comparison.

Name : John Hartl / Alias : Seattle Times
Using the most modest means, Sanchez and Myrick manage to tell a compelling story, create recognizable characters and hold our attention even when there's literally nothing on the screen.

Name : Keith Phipps / Alias : AV Club
Sanchez and Myrick's film knows that what's not seen frightens more easily that what is, and that the imagination's thoughts of what might have happened generally horrify on a deeper level than knowing what did.

Name : Andrew Sarris / Alias : New York Observer
Where is the suspense? Where is the involvement? Where is the identification?

Name : Gemma Files / Alias : Film.com
A movie which scared the crap out of everybody from Cannes to Sundance, and which is definitely worth the hype.

Name : Leslie Felperin / Alias : Hollywood Reporter
By sticking so slavishly to the original Blair Witch film's template, the result is a dull retread rather than a full-on reinvention, enlarging the cast numbers this time but sticking to the same basic beats.

Name : Justin Chang / Alias : Los Angeles Times
Wingard's movie, for all its abundant mischief, doesn't trust the power of its own illusion. You can see these woods a lot more clearly now, and what you see is that you've been here before.

Name : Bob Longino / Alias : Atlanta Journal-Constitution
[A] creepy tale of witchcraft, murders and ghost sightings.

Name : Kirk Honeycutt / Alias : Hollywood Reporter
The viewer never glimpses anything more than the shadow of a clever movie.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
It's nothing more than a sophisticated clone of the original, and it really overdoes the shaky-camera thing - even more than in some of the worst found-footage movies The Blair Witch Project spawned.

Name : Peter Howell / Alias : Toronto Star
Wingard and Barrett aren't trying to reinvent the wail here, which is mostly a good thing.

Name : A.O. Scott / Alias : New York Times
The acting and filmmaking are too crude to make you care about what happens . even though you know pretty much exactly what that will be.

Name : Chris Klimek / Alias : NPR
Tedious in its early going and all but unwatchable in its final half-hour, the movie feels interminable at a barely-feature-length 89 minutes.

Name : Liam Lacey / Alias : Globe and Mail
What can anyone say about The Blair Witch Project that hasn't been trumpeted from a thousand Web sites already?

Name : David Denby / Alias : New Yorker
A cunningly conceived and crafted exercise in suggestibility and terror.

Name : Peter Travers / Alias : Rolling Stone
Belated "official" sequel to 1999 hit updates technology but repeats the original's shocks - only much louder and lamer

Name : Mark Caro / Alias : Chicago Tribune
What becomes especially impressive about Blair Witch is how relentlessly it sticks to its vision.

Name : Susan Stark / Alias : Detroit News
A picture like The Blair Witch Project just takes your breath away.

Name : Jay Boyar / Alias : Orlando Sentinel
The simplest effects are the most effective "effects." That's the horrific lesson of micro-budget masterpiece of modern horror, The Blair Witch Project.

Name : James Berardinelli / Alias : ReelViews
Perhaps for someone who never saw The Blair Witch Project, this might represent an adequate scary movie.

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